I spend a lot of my time, probably too much time, thinking about ways to get my music out to new ears without actually getting out of my house. Playing shows is obviously the best way to get your music known, the reasons behind it being deeply rooted in history, of gatherings of people to hear a troubadour or a classical piece, or a lute player sitting at a muddy street corner, playing folk songs for pennies. This part of musicianship will never die, even as forms of music change (and in fact, some new musical genres — DJing, for example, thrive more at the live show than they do on an album).
The internet, however, is another beast altogether. Busking is non-exististant. There are no “live shows” unless they are online streams of an actual live show. Thus, the sociology of what it means to play music, the gathering aspect of it, the culture of going to see a show, dissolves, and we are thrust back to square one without even realizing it. So I thought I would attempt a discussion of the sociology of the internet, as it pertains to online music and fan gathering. I would appreciate feedback on this, since this is mostly off the top of my head, and I could be dead wrong.
I have broken this down into three parts: Primary Sites, i.e., social networking sites; Secondary Sites, i.e., websites/music sites; and Tertiary Sites, i.e., weblogs/internet word of mouth. (more…)