A Life Blog about My Life, Dawg

  • 131: howard

    sit down. sit the fuck down. don’t you say another fucking word until i’m finished talking to you, do you understand me? just nod yes. okay. good. now i want to preface this by saying i think you’re an asperger-as-fuck piece of shit who gets way with being an asshole because you’re the smartest person in the office and without you the boss would be at a huge loss. i totally understand that if you and i tussled and got called to the principal’s office, i’d be out of here faster than i can say “asperger-as-fuck.” so you’ve got this sense of entitlement that gives you, for some reason, an excuse to be a giant baby. and oh what a giant, enormous, fucking dickwad of a baby you are. oh how you whine because nobody is as smart as you. oh how you whimper in your office because it’s so hard being you. great. whatever. that’s fine. but the next time you’re mad because you somehow believed a 20-year-old intern could do their job right, don’t you ever. ever. EVER take it out on me. you get me? don’t you stomp out of your office and interrupt me while i’m on the phone. don’t you give me that mean mug you give. in fact, even better, don’t ever say another word to me unless it’s directly about work, like if you need to ask me a question or something. and if you do ever need to ask me a question, do not, i REPEAT, do not wait for me to acknowledge your presence. do not stand there. say my name. say my fucking name. i will not acknowledge you until you say my name. got it? you could look me straight in the face and i will say nothing until you say my name.

    lastly, and this is important–everyone else may take your utter indian-food-diarrhea of an attitude because you’re important to this firm, but please, please understand: i don’t mind getting fired. you reading between the lines here, bucko? if you ever piss me off again i will ram your head into every wall i can find, and i will beat your dumb baby ass until your face looks like a head of cauliflower. i will enjoy this very much. i will go to jail for this. and yet, i won’t, because if you tell anyone it will just lead to a quicker beating. got me? i have no problem showing you what it means to be a grown up, either by my words, or my fists.

    now. i’m going to make a quick call to a client. be sure to close your door so you don’t have to fight the impulse to try and make me feel like shit, okay? okay.

    good talk.

  • 130: cut it unborn (fawm 2016)

    i’ve got a feeling deep inside
    and it’s bubbling up
    gotta stitch myself together
    or i’m gonna go nuts
    if you wanna hear me cry
    just step in the queue
    i’ve got tear ducts that mack trucks
    could drive right through

    like a zygote in your belly
    splitting rapidly
    hope this feeling doesn’t put me through
    agony

    cut it unborn

    there’s a 6/8 shuffle
    in the back of my head
    it’s the incessant pounding
    that’ll knock me dead
    i’ve got a bellyache
    like a bellyacher should
    you built a pyre round me baby
    and i supplied the wood

    like a virus that has entered
    a healthy cell
    i’ve got bad superstition
    like a warning bell

    cut it unborn

    i took a potion
    i swallowed it down
    tried to eliminate
    this nasty-ass frown
    it worked for a moment
    but when i awoke
    whatever i was feeling
    went from specific to a broad stroke

    now i’m casing the city
    looking for a cure
    someone to hold my hand
    to make me feel pure

    cut it unborn

  • 129: my sophisticated feast square (fawm 2016)

    dim the lights it’s 2525
    and the human race is glad to be alive
    after the bombs fell
    and nearly killed us

    gather round and open your iron lungs
    pick from packages green blue or brown
    set it right on your stomach
    and thank god for

    my sophisticated feast square
    all the nutrients i need are in there
    my sophisticated feast square
    i have no teeth
    i have no hair

    try to keep from making a single sound
    there are too many bandits running around
    and they’ve got the weapons
    so keep it quiet

    here’s a straw to suck down your pasty mush
    you’ve got all day you don’t need to rush
    enjoy all the flavors
    and thank god for

    chorus

    your ancestors once ate real food
    that they grew out of the ground
    but the desert is a wasteland
    and there’s not a single plant to be found
    you’re the endpoint of a bad day
    try not to make that your only takeaway
    soon these squares will not be enough
    and you’ll pass away just like everyone else does!

    settle back you’re in for an awful trip
    keep the bubbles out of your iv drip
    try not to panic
    it’s just existence

    think about the future you’d like to lead
    one where actual produce is used to feed
    all of the people
    but until then
    thank god for!

    chorus

  • 128: you touch me (fawm 2016)

    i came alive
    when you pulled my strings
    you held me up
    and we danced to everything
    we kissed and all
    my worries melted
    i missed the softness
    of your lips

    these moonlit skies
    never looked so starry
    til i saw them in
    reflections in your eyes
    keep your cheek
    close to my chest
    let me feel you breathing
    on my neck

    you touch me
    and i feel starlight in my veins
    swirled around
    and on my tongue what remains
    i speak to you
    with love and understanding
    you touch me
    and i find life less demanding

    please find my voice
    among these passing strangers
    and hold it above
    for it is tuned to angels
    and it can
    feel your wingspan growing
    i sing
    to soothe your troubled heart

    these are the words
    written on lined paper
    that i put to chords
    and i sang to woo you
    i hope
    our hearts define collusion
    let’s start
    with all the love divine

    i was waiting for this moment
    sleeping in my own mistakes
    hoping one day i would wake up
    next to someone who’d ease my heartache

  • 127: answering the public (fawm 2016)

    i took a step up to the podium
    i cleared my throat into the microphone
    everybody raised their eyes at me
    as if they’d already known

    i made a statement
    i took some questions
    i answered some and i left some open
    i thanked my wife
    and i thanked god
    but most of all i thanked my cpa
    for
    fudging the numbers
    hiding the stats
    throwing my money
    into a laundromat
    taking my alibi
    and making it stick
    now here i am
    answering the public

    all these cameras keep on chasing me
    all these people don’t buy my line
    they think that i’m a big old phony
    they think that jail is where i
    should spend my time

    i told them something
    they want to hear
    got home, laid in bed and
    nursed my beer
    in my head i thanked
    a corrupt system
    but most of all i thanked my lawyer
    for
    preparing a statement
    taking my bribes
    showing the courtroom
    that i’m a real good guy
    drinking my whiskey
    and being a prick
    now here i am
    answering the public

    inst

    no one i know can ever touch me
    no onw i know has got the joie de vivre
    i’ve built my mansion on their bodies
    i caught their accusations on my sleeve

    if you were worried
    well here’s the thing
    you’re just a pauper
    while i’m the king
    i took your money
    and thanked you too
    but most of all i thanked
    my goddamn self
    for
    scamming the system
    devising the scheme
    turning your sadness
    into a fucking meme
    living the good life
    and taking my pick
    cause now here i am
    answering the public

  • 126: patrice

    [for added effect: imagine samuel l. jackson reading this]

    fudge. i’m talking fudge. i’m talking lots of fudge, like fifty pounds of fudge. just here on this table. just sitting right here in the middle of the table, looming over the table like it owned the whole goddamn room. and, look, i’m human. i’m like you. i see fifty pounds of fudge on a table and i want to eat it. i want to consume it. i want to rub it all over my body, i want to stick it up my ass, i want all of that. but i don’t. and you know why? because it’s not. mine. it’s not my fudge! it’s the director’s fudge, and the director’s going to be here in ten minutes and he doesn’t have his goddamn fudge. now imagine if you went somewhere with full knowledge that a significant amount of fudge would be available to you, once you arrived. it doesn’t have to be fudge, per se. whatever makes you happy. pussy. you guys are all teenagers, right? we’ll say pussy. fifty pounds of dripping wet pussy, the mome–okay let’s say 120 pounds of dripping wet pussy, fifty pounds makes you sound like a pedophile–the moment you step in the door. now imagine if some fucking shitheads came in before you arrived and took your pussy. you’re sitting in your car, dick hard as a diamond, just waiting for that moment where you throw the doors open like fucking aragorn in that lord of the rings bullshit, and there’s this mound of pussy for you to pump your tiny teenage dicks into. oh man it’s gonna feel so good, it’s gonna feel so good you’re gonna cum in like ten seconds, just like the director is gonna eat all that fudge in ten seconds. except it’s not there. because some SHITHEADS took it. they took your precious pussy. that’s what the director is going to think once he’s arrived. “they took my fudge,” he’ll think. and then he will murder all of us. so before he steps in that door and shoots each one of you in the back of your dumb skulls, somebody fucking PIPE UP and tell me where that fucking FUDGE IS!

  • 125

    donald duck never wore pants, right? and mickey mouse never wore a shirt. and goofy wore a whole damn outfit, even with a vest and shit. so what’s up with that? donald duck was a sailor and he never wore pants. you know that shit would not be tolerated in real life. at least a guy can walk around with no shirt on. also does mickey ever take those huge gloves off? does he wear them because he has huge puffy black hands and he’s embarrassed by them? or are they so comically huge because underneath them he just has weird spindly mouse hands like real mice do? i bet it’s that. mickey always seemed like an anxious guy. it’s the laugh.

  • 124 (a dream)

    you turn to the television screen. on it is a older man with graying hair, breathing heavily. it’s a medium shot, you see above his torso. he’s wearing dark eye shadow. in front of him, out of focus, is the upper half of a young woman’s face moving back and forth. she’s wearing pigtails. he’s fucking her, doggystyle, but that’s all beneath the shot. behind him is a swirling rainbow light pattern, reminiscent of the 60s. no music, just him panting and her silent, emotionless. the soft slap of his body against hers. eventually her head dips below the screen as she rests her upper body on the bed. he just keeps fucking her. he looks a little distressed; this wasn’t the easy job he thought it would be. the act is tiring him out and he’s panting harder and harder. the rainbow pattern swirls faster and faster. he’s giving her his all. she pops back into frame, looks back at him. “do you want to rest?” she asks in a soft, low, caring voice. he shakes his head no, and sweat droplets fly off his face and onto her body. he grunts and keeps going. she looks into the camera. she knows it’s there but has no problem with it. he keeps fucking her. the rainbow swirl slowly slightly. he brings his arm up to his face and wipes his brow with it. swears softly. she says quietly, “come baby, come baby, i want you to come,” and her voice is more girlish than before. he says “more, more,” and she says loudly,” come baby, i want you to come so deep inside me,” and you can see his body slow down as the urge to come fills his entire being. he comes, hard, and almost growls as his body shudders. he collapses onto her back. she is moaning, but more of pleasing him than of pleasure. she pulls away from him and lies on the bed, out of frame. he flops down beside her. the rainbow swirl flicks off. the camera stops.

  • 123: terry

    if i finance this project, i want only one thing: co-starring role as the wisecracking sidekick. who’s the star? the rock? dwayne “the rock” johnson? then what about me as the five-foot-eight, 120 pounds, pale as the day is long, wise ass sidekick who always knows the best quips to sling at the bad guys. it’s basically typecasting. guy gets caught stealing from an ice cream truck, and i say, “looks like just went down a *rocky road*.” you get it? it’s the name of a popular ice cream flavor! it’s so perfect, i’m willing to fully finance this project so long as i get to say all the cool stuff after the rock gets the bad guy. he, he, he just took down a guy who was parasailing and then i say, “looks like the next place you’ll be sailing to is *prison*.” get it? get it? god it’ll be so great, yeah, i’ll give you five million now and the rest when i get a script. i can’t wait to be a part of this. the rock nabs a bad optometrist and i’m like, “i’ll *see* you in hell,” get it because of EYES.

  • 122: jones

    look, i’m out of things to say. i’ve said everything. i think my life contained a reservoir of words and i’ve used them up. useful words, i mean. this is it, this is the end of my vocabulary. once these words are spoken i will have no words left. all the meaningful ones have been said, and now all i have left is this. what is this anyway? are these the meaningless particles in the universe that no one bothers to measure? are these sound waves destined to die against iron walls, or fizzle out amid the cosmic background radiation of the universe? what is the meaning of the end? when i am finished talking, there will be no more words left for me to speak. i will be mute until the day i die. and none of you seem to be taking this in. i can feel it already, i feel my lack of words, i feel unable to say much more than this. my word reservoir is dwindling. linguistically i am dying, i am dying. my throat is closing up, i told you i am out of things to say, you didn’t believe me but it’s true, i’m out–[he keeps moving his mouth but words stop coming out. he stops. then he gesticulates: “see? see i told you so! fuck!”]